Krampus is a mythical creature recognized in Alpine countries. According to legend, Krampus accompanies Saint Nicholas during the Christmas season, warning and punishing bad children, in contrast to St. Nicholas, who gives gifts to good children. When the Krampus finds a particularly naughty child, it stuffs the child in its sack and carries the frightened child away to its lair, presumably to devour for its Christmas dinner.
In the Alpine regions, Krampus is represented as a beast like creature, generally demonic in appearance. The creature has roots in Germanic folklore. Traditionally young men dress up as the Krampus in Austria, southern Bavaria, South Tyrol, and Hungary during the first week of December, particularly on the evening of 5 December, and roam the streets frightening children with rusty chains and bells. Krampus is featured on holiday greeting cards called Krampuskarten. There are many names for Krampus, as well as many regional variations in portrayal and celebration.
NTJs, like their INFJ counterparts, are among the rarest of the personality types, thought to comprise only 2-3% of the population. More often than not, INTJs carry a y-chromosome, outnumbering INTJ females at a clip of four to one.
Like other Intuitive Introverts, INTJs try to see the big picture and look beyond appearances and superficialities. They place little stock in outside or “expert” opinions, preferring to look inward for answers. They feel they possess the inner tools and insights required to independently determine truth. When they do consult outside information, it is largely for the sake of confirming their own insights. Because of their strength of mind, will, and insight, INTJs may well be the most productive theorists of all types.
INTJs often present as austere and impassive, displaying little as far as variability of emotion or expression. Exuding an air of learnedness and erudition, they may sometimes be perceived as intellectual snobs or elitists. Perceptions of arrogance or aloofness notwithstanding, their status as intellectuals is typically well-founded. Not only do INTJs sport the highest collective IQ of all types, but they are generally well-informed, displaying broad-ranging knowledge and impressive memories.
As left-brained masterminds, INTJs wield logic and language like swords. They sport impressive vocabularies and precision in articulation. They are undeterred from directly and firmly expressing their viewpoints. At times, onlookers can be taken aback by their directness, viewing them as opinionated, dogmatic, or closed-minded.
INTJs can also be quite talkative and witty. Some are downright hilarious. Drawing on their memory for details and strong oratory skills, INTJs can make for good storytellers. Like INFJs, they enjoy employing stories, metaphors, and examples from popular culture (Se) to help illustrate abstract concepts or ideas. This represents a point of difference from their INTP counterparts, who, while witty, are generally poor at delivering stories or jokes. INTJs who allow the inner playfulness of their Ni to shine through will enjoy better success with people, taking the edge off what can be perceived as their sometimes harsh or insensitive.
After researching about my personality I discovered this, which some of my readers may indeed enjoy. The comparison between a INTJ (Me) and your run of the mill Psychopath!
The INTJ:
Doing things to excess (i.e., exercising, dieting)
Can have a idiosyncratic value system, especially around sexuality (They may use sex to humiliate themselves or to show profound caring)
Act impulsively, especially under pressure
Very Sensitive to Criticism (at times with certain people)
Pursue Ideas that are unrealistic
Appear cold and shallow
Appear unsympathetic
Enjoy change, challenge, and variety
Single minded, stubborn
VERSUS
The Psychopath;
Selfish
Callous
Accomplished liars
Con artists
Remorseless
Irresponsible
Inflated sense of worth
Unstable
Shallow emotions (though they may try to appear as if they have genuine emotions)
Risk taker
Diviant lifestyle
Parasitic
Anti-social
Unrealistic goals
Needs excitement
Promiscuous
I certainly learned a LOT about myself today. Seems I am a rare personality type (No wonder I am the way I am) and a INTJ artist on top of it... even more rare but in all honesty, right on the mark with what I am... interesting, very interesting....
Ten Rules to Live By to Achieve INTJ Success
Feed Your Strengths! Do things that allow your brilliant intuition and logical abilities to flourish. Explore the fascinating worlds of science, mathematics, law and medicine. Give your mind an outlet for its exceptional analytical abilities, and watch them grow.
Face Your Weaknesses! See your weaknesses for what they are, and seek to overcome them. Especially, strive to use your judgment against your internal ideas and intuitions, rather than as a means of disregarding other people's ideas.
Talk Through Your Thoughts. You need to step through your intuitions in order to put them into perspective. Give yourself time to do this, and take advantage of discussing ideas with others. You'll find externalizing your internal intuitions to be a valuable exercise. If you don't have someone to discuss your ideas with, try expressing your ideas clearly in writing.
Take in Everything. Don't dismiss ideas prematurely because you don't respect the person generating the ideas, or because you think you already know it all. After all, everybody has something to offer, and nobody knows everything. Steven Covey says it so well when he says: "Seek first to understand, and then to be understood."
When You Get Angry, You Lose. Your passion and intensity are strong assets, but can be very harmful if you allow yourself to fall into the "Anger Trap". Remember that Anger is destructive to your personal relationships. Work through your anger before you impress it upon others, or you will likely find yourself alone. Disagreements and disappointments can only be handled effectively in a non-personal and dispassionate manner.
Respect your Need for Intellectual Compatibility Don't expect yourself to be a "touchy-feely" or "warm-fuzzy" person. Realize that your most ardent bonds with others will start with the head, rather than the heart. Be aware of other's emotional needs, and express your genuine love and respect for them in terms that are real to YOU. Be yourself.
Be Accountable for Yourself. Don't blame the problems in your life on other people. Look inwardly for solutions. No one has more control over your life than you have.
Be Humble. Judge yourself at least as harshly as you judge others.
Assume the Best. Don't distress yourself and others by dwelling on the dark side of everything. Just as there is a positive charge for every negative charge, there is a light side to every dark side. Remember that positive situations are created by positive attitudes. Expect the best, and the best will come forward.
Don't Get Isolated! Recognize the value that the external world represents to you, and interact with it in the style that's natural to you. Join clubs and internet e-mail lists that house in-depth discussions of topics that you're interested in. Seek and foster friendships with others of like competence and capacity for understanding. Extravert in your own style.
Can you relate to this unemployment depression situation? When you become unemployed, you may feel like you have lost control of your future and your self-confidence begins to erode as a result. You know what it's like. You feel discouraged and unsure what the future holds. It shakes your very identity and the way you perceive yourself. Bad habits that you once thought were gone suddenly creep back into your life with a new vigor that makes you feel even worse about yourself and your situation. You begin to question your relationships and the way you are perceived. Unfortunately, turning on the news only makes it worse. The big question looming in your mind is what can you do and is there any relief.
Recent studies have shown that a high percentage of individuals develop depression within six months of becoming unemployed. Unemployment depression is a serious problem that throws you into a cycle of defeat because its debilitating symptoms can make it even harder for you to find another job. It's like a vicious cycle. Unemployment depression in its early stages is typically characterized by physical symptoms such as headache, stomachache, and sexual dysfunction. Other symptoms that may eventually arise include irritability, fatigue, sluggishness, and loss of interest in things you used to enjoy. People who have been unemployed for more than three months are particularly susceptible to unemployment depression.
How to Lift Yourself Out of Unemployment Depression.
Creating a plan to follow is very helpful in alleviating unemployment depression. Make a daily schedule for job hunting and have a goal of something to do each day. For example, you can volunteer or take a college course to acquire a new job skill and boost your resume. It is also a good idea to take an occasional break from your job hunting schedule. If you look for work from 9am to 3pm on weekdays, make sure to rest on the weekend and do things unrelated to job hunting to refresh and recharge. Spending time with your friends and participating in activities you enjoy will help to keep your spirits elevated.
If the symptoms of your unemployment depression are very serious, you should contact a doctor immediately. Otherwise you can take small steps to make yourself feel better. Getting 30 minutes of exercise each day will dramatically improve your mood and outlook because it releases natural mood enhancers. Eating right will also help to improve the way you feel. When you wake up each morning, take a shower and get dressed. Don’t mope around in your pajamas all day even if you are going to spend the day making phone calls or writing emails. The way you dress affects the way you feel overall and if you are dressed for success, success is bound to come your way.
Several months ago while sleeping over at Stephen's apartment we were both woken in the middle of the night by a most odd occurrence. What happened is this, I jumped out of bed and uttered some incoherent speech while making multiple stabbing motions at a pillow on a nearby chair. I awoke immediately after the incident, utterly confused and terrified. The following morning after discussing the event I thought I would do a little bit of research on the subject. Here is what I discovered.
Sleeping...
Causes
It has been suggested that sleepwalking and other forms of parasomnia occur from deep non-REM slow wave sleep (SWS). It is caused by an inappropriate physiological event where the brain tries to exit SWS and go straight to wake. In normal sleep, the brain transitions from sleep either from stages 1 or 2 of NREM or REM sleep, but almost never from SWS. As a result, the brain gets “stuck” between a sleep and wake state.
Homicidal somnambulism, literally homicidal sleepwalking and colloquially known as sleepwalking murder, is the act of killing someone during an episode of sleepwalking. Occasionally, sleepwalkers kill people, usually a family member, during their sleepwalking act. There have been several rare cases in which an alleged act of homicide has occurred, and the prime suspect may have committed the act while sleepwalking. About 69 cases to date have been known. These cases have fared in various ways in the judicial system.
Parks case
In 1987, Kenneth Parks was a married 23-year-old man with a 5-month-old daughter. He had a very close relationship to his in-laws, with his mother-in-law referring to him as "her gentle giant." The summer before the controversial events, he developed a gambling problem and fell into deep financial problems. To cover his losses, he took funds from his family's savings and then began to embezzle at work. Eventually, in March 1987, his actions were discovered, and he was fired from his job. On May 20, he went to his first "Gamblers Anonymous" meeting. He made plans to tell his grandmother the following Saturday (May 23) and his in-laws on Sunday (May 24) about his gambling problems and financial difficulties.In the early morning hours of May 23, 1987, Parks reportedly got up (not awoke) from his sleep, drove roughly 23 km to his in-laws' home and broke in, assaulted his father-in-law and stabbed his mother-in-law to death. After all this, he managed to drive himself to the police station. Aside from a few isolated events, the next thing he could recall was being at the police station asking for help, saying “I think I have killed some people…my hands.” Parks’ only defense was that he was asleep during the entire incident and was not aware of what he was doing. Naturally, nobody believed it, even sleep specialists were extremely skeptical. However, after careful investigation, the specialists could find no other explanation. Parks’ EEG readings were highly irregular even for a parasomniac. This combined with the facts that there was no motive, that he was amazingly consistent in his stories for more than seven interviews despite repeated attempts of trying to lead him astray, that the timing of the events fit perfectly with the proposed explanation, and that there is no way to fake EEG results, Parks was acquitted of the murder of his mother-in-law and the attempted murder of his father-in-law.
Falater case
In 1997, Scott Falater was accused of murdering his wife by stabbing her 44 times. According to an eyewitness, Falater was also seen holding his wife’s head under water. When he was tried, the prosecution claimed that after the murder had been committed, Falater changed his clothes, put the murder weapon in a Tupperware container, put the container in a trash bag with his boots and socks, stashed the bag in the spare tire well in the trunk of his car, and took and hid all the items that showed that he was the person who killed her. On June 18, 1999 a prosecution expert testified that that Falater's actions were "too complex" to have been carried out while sleepwalking. A week later, Scott Falater was found guilty of first degree murder and sentenced to life in prison without chance of parole.
Lowe case
On October 30, 2004, the body of 83-year-old Edward Lowe was found on his driveway in Manchester, England. His son, Jules, admitted that he caused his father's death, but did not remember committing the act. He has used "automatism" as his defense. He was not convicted, but he was confined indefinitely to a mental institution.
"A.F." case
"A. F. " was a gun fancier and a hunter, and kept loaded firearms in his room. His father, with similar interests, slept in the adjoining room. Hearing a bump against the connecting door early one morning, "A.F.", still asleep, hollered "You dog, what do you want here?" and fired the gun near to his hand. The intruder turned out to be his father.
Fraser Case
Simon Fraser, of Glasgow, Scotland, often dreamed that a beast had invaded his home at night. One time, he dreamed that a white beast had come up through the floor. He seized it and dashed it to the ground. He woke up to find he had killed his infant son.
Gnypiuk Case
Wasyl Gnypiuk, a Polish immigrant (to England) had suffered Nazi internment, which caused him to have nightmares; in one of these, he dreamed of fighting back. In fact, he was in the home of his landlady, and when he woke up it turned out he had beaten her to death. He was found guilty of capital murder, sentenced to death and hanged at Lincoln on January 27th 1961.
Griggs case
Esther Griggs, resident of London and a mother of three, dreamed one night her house was on fire. Screaming "save my children!" though asleep, Ms. Griggs threw her baby into the street.
Kiger case
Jo Ann Kiger, a teenager, was asleep when she took a revolver in each hand, poised to defend her family against a "monster." She fired, and fatally shot her brother and her father.--she was not found guilty
Ledru case
In John Lutz's novel, The Real Shape of the Coast, Robert Ledru, a French police detective, is asked to investigate a murder on the beach. Examining the evidence—the fatal bullet and some footprints—he decides he had been sleepwalking on the beach and fired the fatal shot. He turns himself in.
Pollard case
William Pollard was a farmer whose neighbors knew him well as a sleepwalker and sleepworker--doing his chicken-farm chores while fast asleep. One night he dreamed he was fighting with a marauding stranger. When his wife awakened him, he found he had killed their daughter.
Legal Rulings
The volume says how the law dealt with them, adding that Western law recognizes sleepwalking as a defense but is otherwise not consistent. "Griggs and Pollard were never charged; 'A. F.,' Kiger, and Boshears were acquitted; Fraser and Ledru were acquitted but ordered by the court to sleep henceforth only by themselves, in locked rooms; while Gnypiuk, denied an appeal to the British House of Lords, was hanged.”
I have always loved The Mama's and the Papa's, always. Creeque Alley is without a doubt one of my all time favorites of theirs. I have always wondered what the lyrics were in reference to so Stephen mentioned to me that I should look it up and that's when I discovered this article. Amazing. (Check out the video at the end of the post!)
Creeque Alley was released in 1967 and tells the story of the formation of The Mamas and The Papas. This analysis is the result of much painstaking research (by author Richard Thorpe ) some guesswork and a lot of help from many people who have written to (Richard) to add some new spin to a line or two. It continued to evolve until 2002 when the website was last updated. Unfortunately his original web site is gone but his diligent study is preserved here with Mr. Thorpe's kind permission and what a wonderful read it is.
John and Mitchie were gettin' kinda itchy just to leave the folk music behind.
John Phillips had been playing in a folk band known as The Journeymen. The band, whose lineup included Scott McKenzie, played old folk standards but, like other similar bands at the time, were going nowhere. They had split up by early 1964. Later that year John and his wife Michelle formed The New Journeymen with Marshall Brickman and Denny Doherty joined them to play at an engagement in Washington over New Year. By 1965 Phillips was getting restless and eager to try something new. Mitchie is a reference to Phillips' wife Michelle who, as well as singing in The New Journeymen, had been doing modelling work but was to become a singer with the Mamas and Papas.
Zal and Denny workin' for a penny
tryin' to get a fish on the line
Zal Yanovsky and Dennis Doherty had been playing together in a folk trio called The Halifax Three. Halifax is a fishing port in Nova Scotia and may account for the fishing reference in this line, but some think this may be a bit deeper.(Ian Maclure )
In a coffee house Sebastian sat ...
and after every number they passed the hat
Sebastian is John Sebastian. At the time he was playing with Jim Kweskskin's Jug Band and other minor folk bands. "They passed the hat" is a reference to the way some bands were paid in the coffee houses of the sixties. They literally passed around a hat or a basket and more or less took up a collection.
McGuinn and McGuire just are gettin' higher
in L.A. you know where that's at
Jim McGuinn (changed his name to Roger McGuinn in 1967) was enjoying success with the newly formed Byrds and Barry McGuire had a hit with Eve of Destruction - all this at a time when John Phillips was still trying to form a new band. This may also be a reference to drugs, suggesting that before the Byrds became popular they were exploring drug use.(Aaron Stang )
And no one's getting fat except Mama Cass.
This is a reference to the fact that no-one was making any money out of playing folk music but Cass Elliot who, being on the large side, was not only "getting fat" but was also having success as a solo jazz singer in Washington DC. Cass Elliot was born Ellen Naomi Cohen in 1941. Her restauranteur father nicknamed her 'Cass' after the Trojan princess, Cassandra. (Gary Holwell) She adopted the name Cass Elliot during her teens. The name Mama Cass evolved from her involvement with the Mamas and Papas.This is what John Phillips said about Cass in an interview in August 1995 at Paramount Studios: "Her father had a deli there in New York. I remember her as a little, chubby girl, with the stained apron on, behind the counter. (Laughs) We were sort of infamous in that area, and when she got to New York, she knew who we were, but we didn't know who she was. And she had met Denny, and Denny said, "I know this girl that sings wonderfully. We should have her over and sing with her." It happened to be that LSD was actually legal at the time. It wasn't a banned drug or anything. We searched all over the Village and found some contemporary artist who had some and he gave it to us. We were about to take it that night, when the knock on the door came and Cass came in. So we all had it together the same night, for the first time, and I think that formed a bond between the four of us that we just never stopped singing. We just went on and on and on and on, until the trip wore off, which was about four years later."
Zallie said 'Denny, you know there aren't many
who can sing a song the way that you do' (Let's go South)
A reference to Dennis Doherty's singing abilities. "Let's go south" is a reference to leaving Canada for New York which is exactly what The Halifax Three did by way of Montreal, Toronto and then New York.
Denny said 'Zallie, golly, don't you think that I wish
I could play guitar like you'
A reference to Zal's guitar playing abilities!!
Zal, Denny and Sebastian sat (at the Night Owl)
The Night Owl Cafe in Greenwich Village.
And after every number they passed the hat
McGuinn and McGuire still are gettin' higher
in L.A. you know where that's at
And no one's getting fat except Mama Cass.
When Cass was a Sophomore, planned to go to Swarthmore,
But she changed her mind one day
This is a rather oblique reference to Cass' on-again, off-again educational career. She was a very intelligent young woman (an IQ of 165) whose uncles were mostly doctors, and her parents planned for her to go to medical school. But she discovered show business during her last year in high school and dropped out two weeks before graduating. A few years later, with her career not exactly catching fire yet, she attended American University in Washington, D.C. (on the strength of her SAT scores and on a provisional basis since she didn't have a diploma). She did not reach her sophomore year by any means -- by her own admission, she couldn't stay away from the drama department and kept hanging around there instead of concentrating on whatever it that was supposed to be her major -- and she planned to continue at Goucher College (a female college near her home in Baltimore), not Swarthmore College in Pennsylvania , but apparently John Phillips couldn't make a rhyme out of "provisional freshman" and "Goucher." In any case, she dropped out again and went back to singing after a only few weeks.
Standing on the turnpike, thumb out to hitchhike,
Take her to New York right away
This refers to her return to the Big Apple to perform and her probable means of transportation - she was pretty much broke at this point, as they all were. The "turnpike" is the New Jersey Turnpike which is the road from Maryland to New York.
When Denny met Cass he gave her love bumps
Denny loved Cass as a friend. However, Cass was in love with Denny from the moment she had met him during their days with The Mugwumps (see next line). During the group's visit to the Virgin Islands she discovered that Michelle had slept with Denny behind John's back! This caused much tension with the group. In fact Cass went to Michelle and said "you can have any man you want....why did you have to sleep with the one man I love?" For Denny's and Michelle's affair John wrote "I Saw Her Again" and made them sing it as a form of punishment.
Call John and Zal, and that was the Mugwumps
The Mugwumps was a band comprising Denny Doherty, Cass Elliot, Zal Yanovsky and Jim Hendricks (Cass's first husband). "The 'John' in this reference is obviously John Sebastian, who, according to his biography, was an original member of the Mugwumps with Zal, Denny, & Cass just prior to forming the Lovin' Spoonful." (Denise Steffanus)
McGuinn and McGuire couldn't get no higher
but that's what they were aiming at
And no one's getting fat except Mama Cass.
Mugwumps, hi-jumps, low slumps, big bumps,
don't you work as hard as you play
Drink-up, break-up, everything is shake-up
Guess it had to be that way
This refers to the inevitability of the break up of the Mugwumps. In fact they only lasted about 10 months then Sebastian and Zal formed The Lovin' Spoonful. Zal Yanovsky now runs a restaurant in Kinsgton, Ontario called Chez Piggy. "It is in a 150 year old grey limestone building and the walls are covered with memorabilia from his days with the Lovin' Spoonful and his earlier days from the Maritimes and with Denny. Seem to remember some great pictures of the Mamas and the Papas too from his own private collection." (Brad Fallon )
Michelle, John and Denny gettin' very tuneful
Michelle and John Phillips together with Denny Doherty had formed The New Journeymen in 1964.
McGuinn and McGuire just are catchin' fire
in L.A. you know where that's at
They were doing OK in LA I guess! This is also probably a vague reference to riots in Los Angeles in 1965 when a lot of fires were set.
And everybody's gettin' fat except Mama Cass.
Cass Elliot had wanted to join the group but other members were concerned that her size would not promote the right image for the group and that her voice was considered too low to harmonize with Michelle's. This line seems to refer to the fact that McGuinn and McGuire were having more success than Cass. "I think this reference to the Byrds implies they were beginning to get really popular (which reinforces that the first Byrds reference was a drug reference, before they got popular) And "everybody's getting fat" is a double entendre; in other words - everyone's doing great, getting popular, making money etc and Mama Cass is doing well also (because she's not getting fat). (Aaron Stang)
Broke, busted, disgusted, agents can't be trusted,
and Mitchie wants to go to the sea
This is a reference to the Virgin Islands. The New Journeymen was over and they were sitting around one day and just wanted to take a vacation - Michelle, whose home was California, despised the coldness of New York. The story goes that they spun a globe and she, with her eyes closed, pointed to a spot and they decided to go wherever her finger landed - so the Virgin Islands it was. "I heard an interview with Michelle, (I think, but it may have been Cass,) a long time ago in which she ... said the line was 'Mitchie wants to go to the C' (a note Cass couldn't reach and hence had to 'fake it')" (Dennis Honigs)
Cass can't make it, she says we'll have to fake it
This could be a reference to Cass' inability to sing the arrangements that John wrote. As the story goes, Cass was walking down the street in the Virgin Islands when she was hit in the head by a pipe. (Someone threw it from a pile of junk they were going through.) Cass was knocked unconscious. When she awoke, it had affected her range and increased it by 2 or 3 notes. This increase in range allowed her to sing the arrangements that John wrote. Thus, the group's main excuse for keeping her out was no longer an issue. As further support for this claim, Cass once said that the arrangements were so high that at times she would become light-headed during the recording sessions. This suggests that Cass was singing at the top of her range. Furthermore, if you hear any of the Mamas and Papas live recordings, the songs are lowered considerably making the songs more comfortable to sing.BUT... this is a transcript of an interview with Michelle Phillips which appears on the Forrest Gump CD Rom (published by Upstream Multimedia) Question: There was a story we heard about how a pipe fell on Cass in the Virgin Islands and changed her voice.Can you tell us about that? M.Phillips:- Well, John has claimed that Cass actually got her upper range after the pipe fell on her head (laughs). She was walking past a construction site and a small lead pipe fell on her head. And when we were singing ,later on that afternoon, she did seem to (laughs) have a much higher range. I don't know if it 's really true or of there's any reason to believe this story, but it's a lie that we (laughs) told a long time if it's not true. ALSO...The following is a transcript of an email ...which seems to support the view that the pipe incident happened but there is no real evidence that it was the cause of Cass's extended range.: "I happened to catch a rerun of Behind the Music with the Mamas and Papas on VH-1 and they discussed it with John, Michelle, and Cass's sister. Basically, they all agreed that the pipe hitting Cass and knocking her out happened. But while John seemed sure that it changed her ability to get "that extra note", Cass's sister didn't seem to believe it at all. Michelle said that the story had been told so often she wasn't sure of anything anymore but that, while she couldn't say that the bump on the head caused it, it did seem Cass was hitting notes afterward that she hadn't before." (David Redd and Maryann Sapanara)
We knew she'd come eventually
Cass Elliot knew that The New Journeymen were in the Virgin Islands. She missed Denny so much that, together with John's cousin Billy Throckmorton, she went down and joined them.
Greasin' on American Express card
The group had an American Express card which was used to finance the trip to the Virgin Islands. It was actually owned by one of the other Journeymen and had been intended for Journeymen business expenses. Of course, no one was making any payments on it by this time, and the group's departure from the Islands was actually precipitated by an American Express representative finally confiscating the card when John went to the local Amex office to get a cash advance on it. Amex was eventually reimbursed with from the royalties from the songs written during the group's stay on the islands.
Tents, low rents, and keepin' out the heat's hard
Duffy's good vibrations, and our imaginations,
can't go on indefinitely
These lines suggest that the group were starting to tire of their life in the Virgin Islands where, amongst other things, they had camped out on the beaches and generally acted in an unsociable way. Duffy's is the name of the boarding house on Creeque Alley (pronounced Creaky Alley but actually spelt Creque's Alley) in Charlotte Amali where some of the group's early songs were composed. (Brian Cornforth) Although Duffy himself was very encouraging and liked the group (giving out good vibrations!) they were not making a living. Their day-to-day existence on the island was very much an exercise in deficit spending and living by their wits and that COULD NOT go on indefinitely. The reference to their "imaginations" not going on indefinitely could also be a comment on how the group felt at the time Creeque Alley was released in the summer of 1967 - they knew they weren't going to last forever (but of course their music lives on all these years later!) This is what John Phillips said about their time on the island in an interview at Paramount Studios in August 1995: "Well see, we went to the Virgin Islands the summer of '65, to rehearse and just put everything together. Cass and Denny and Michelle and I and the doctor who played guitar, and Peter Pilafian, who played violin. All these strange people. We took dogs with us and motorcycles and children. McKenzie, my daughter, went with us. She had her own tent on the beach. We were the last campers to arrive and we got the worst camping site. We called it Camp Torture. There was a mosquito bog right behind it. We went across the main island. We had this on St. John. Went across the main island, St. Thomas, and we got a job there, working at a club, Duffy's - Duffy was a great help to us - singing, and we were trying to sing country pop, folk pop at that time, and we weren't quite sure how to do it or what to do. One day we heard "Turn! Turn! Turn!" - The Byrds - and they mentioned Jim McGuinn, Roger McGuinn now. Denny said, "We can do that. What's the big deal?" So we came back to the mainland and got a drive-away car and drove across the country to California and started recording, almost as soon as we got here."
And California Dreaming is becoming a reality.
Now back in good old New York City, paradise a fading memory, California was looking like the place to be. But this is also a neat reference to California Dreaming, the Mamas and Papas' first recording, which was released in October 1965 and was to go on to become a major hit and all time classic. In the Paramount Studios interview John Phillips was asked how California Dreaming came to be written. He said: "It's my recollection that we were at the Earle Hotel in New York and Michelle was asleep. I was playing the guitar. We'd been out for a walk that day and she'd just come from California and all she had was California clothing. And it snowed overnight and in the morning she didn't know what the white stuff coming out of the sky was, because it never snowed in Southern L.A., you know, Southern California. So we went for a walk and the song is mostly a narrative of what happened that day, stopped into a church to get her warm, and so on and so on. And so as I was thinking about it later that night, I was playing and singing and I thought "California Dreamin'" was what we were doing, actually, that day. So I tried to wake Michelle up to write the lyrics down that I was doing. And she said, "Leave me alone. I want to sleep. I want to sleep." "Wake up. Write this down. You'll never regret it. I promise you, Michelle." "Okay." Then she wrote it down and went back to sleep. (Laughs) And she told me up to this day, she's never regretted getting up and (laughs) writing it down. Since she gets half of the royalties for the writing of the song."
Source
CREEQUE ALLEY BY THE MAMAS AND THE PAPAS:
www.creequealley.com
